Arguably one of the greatest things about cinema is that for all the classics, epics and outright genre defining spectacles that audiences have been and have yet to be treated to, there will always be a place for the less than perfect efforts. Cult cinema has been alive and well since the inception of filmmaking itself – and although some of these efforts are met with nothing but ridicule and derision upon their release, their existence still plays an important role in movie-making.
Of all the filmmakers who reside outside the periphery of successful mainstream cinema, German director Uwe Boll is one of the most notorious. With films like Assault on Wall Street, Blubberella, BloodRayne: The Third Reich and the video game adaption of Alone in ...
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