Anyone even somewhat familiar with the horror genre knows that no type of film is more prone to receiving endless sequels than a good fright flick. That’s been true for decades, with Universal Pictures well-known for releasing multiple follow-ups to each of its classic monster movies. Perhaps no single horror movie has been subject to this practice more than Friday the 13th, which began life in 1980 as an unabashed ripoff of John Carpenter’s Halloween, a fact the filmmakers have never denied.
Little did producer Sean S. Cunningham and the folks at Paramount Pictures know that such a modest effort ...
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