The last few years have seen Netflix engaging in a sort of coup against the traditions of the Hollywood establishment. After changing the way home viewers watch movies, spearheading the demise of the movie rental stores that boomed in the ’90s, Netflix began a systematic campaign of original releases, both financing original works and stealing big named movies out from under the noses of big named distributors; making the steaming service a formidable force in the changing structure of the movie business.
Their latest, most remarkable volley against Hollywood structures came with the acquisition of Martin Scorsese’s (Silence) next project, The Irishman. Earlier this week it was ...
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