Examining race relations through the lens of a horror film is not exactly a common thing, but it’s been done a good number of times over the years. Many would be quick to cite George Romero’s seminal Night of the Living Dead as one of the earliest examples, which featured a heroic black lead pitted against a stubborn older white man, in a time when black leading men were quite rare. Another prime example would be Wes Craven’s 1991 cult hit The People Under the Stairs, which saw a poor black child attempt to escape from a violently psychotic, rich white couple’s local house of horrors.
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