Filmmaking is, if nothing else, a collaborative process. Even filmmakers with reputations of an auteur have to answer to the folks who pay for their budget. Case in point – director George Miller wanted to create Mad Max: Fury Road as a black-and-white film, but Warner Brothers put the kibosh on that idea. Miller then went the opposite direction, with a supersaturated vision that took the orange and teal aesthetic to all new levels, but he always had a mind to treat audiences with his original vision someday.
With the “Black and Chrome” edition of the film hitting Blu-Ray in Germany in September, it was clear there was a good chance that North American audiences would also ...
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